Truth-The Hemorrhage of Pigs!


I locked the Hemorrhage page at www.therevelationpainting.com requiring a password to see it. The reason is that religion is a touchy subject and I may sound harsh to some people and/or groups as I make my case regarding what Truth-The Hemorrhage of Pigs! is all about.

The second reason is that recently, a friend of mine was contacted by a government entity which cited them for “talking about the government”. I do not want to blacklist myself before I even get started. I know that this painting will grow tremendous controversy. It already is.

I will only write blogs about the mechanism of the bleed, the design and measurements, and the sketches regarding this section of the painting and forget about the “politics” behind it. In other words, discussing the art of it will be the priority until later on when the password protection is removed.

To remind you about the Hemorrhage section of the painting  Scene II GOD; it is where the brilliant, white light of God begins to bleed from the application of thermochromic pigments that when heated to approximately 88 degrees will turn from a red (slightly pink due to the saturation of pigment) to a clear.

The painting will require heated light sources to keep the red pigment at bay, then when the lights are out, the painting begins to bleed Truth-The Hemorrhage of Pigs!  When the lights are turned back on, the painting will return to the pristine, brilliant, white light of God once again.

Here is a general design of the effect, of course you will not see a change here, it is an illustration. I am working on learning to video certain things to make short youtube videos to place here on myspace and at www.therevelationpainting.com in anticipation of my June videos actually painting the painting.

 

  

   

The following are views of the Hemorrhage effect.  The first is when the pigment is cold (under 88 degrees) but the colder, the better but not freezing.  It arrives in various forms; a powder, a slurry, a paint or ink.  This medium was a slurry.  The area TEST is where I wanted to see the black thermochromic related to being covered by the red and their reactions.

The following pictures is the pigment heated with a blow dryer (for faster) response and true color.  It is important to apply one thin coat because the red is very hard to work with due to the remaining pigment when cooled.  In the painting (if you read the “EMERALD” blog, and God’s EMERALD rainbow, you will see the pink does not matter.

Actual changing times required are available by clicking on the photos here.. 
 

  

  

  

 

 

 This is a very important component of the painting.  Please see the GIVE/TAKE page to see how you can help keep this section of the painting alive!  The life span of the pigment on the painting is approximately 6 months where it will then require a “tune up”.  I realize that one day the effect will happen no more and hopefully “things” which brought it to this point are resolved in the world and it will not matter by then.

   

Please see the GIVE/TAKE page at www.therevelationpainting.com

a “tune up”.  I am well aware that this effect will diminish over time and will one day not be a part of the painting.  Hopefully by that day, the things which triggered this section will exist no longer and the world will have changed for the better. require 6 months, when the painting will approximately is thermochromics for ways you can keep this very important section of the painting alive.  The life of

  

 
 

requiring a password to see it.  The reason is that religion is a touchy subject and I may sound harsh to some people and/or groups as I make my case about what Truth-The Hemorrhage of Pigs! is all about. 

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