©PLEASE NOTE THAT THIS IS INTELLECTUAL PROPERTY AND THIS IS COPYRIGHTED INFORMATION.  USE OF THIS INFORMATION IN REPRODUCTION or ANY OTHER MANNER CONSTITUTES COPYRIGHT INFRINGEMENT AND IS A CRIME PUNISHABLE BY LAW.  MATERIAL USED FOR EDUCATIONAL PURPOSES HAS BEEN LINKED TO THE WEBSITES OF THEIR VARIOUS OWNERS AND COPYRIGHTS REMAIN LINKED TO THOSE OWNERS AS WELL.  IF YOU ARE THE OWNER OF ANY MATERIAL ON THIS SITE AND WOULD LIKE YOUR MATERIAL REMOVED, PLEASE CONTACT THE AUTHOR.  NOTE THAT YOUR LINK TRAFFIC MAY/MAY NOT INCREASE AS A RESULT OF THESE EFFORTS AND THAT AN HONEST EFFORT TOWARD ACKNOWLEDGMENT OF THE MATERIAL USED HAS BEEN EXHAUSTED.  THANK YOU IN ADVANCE FOR THE USE OF MATERIAL USED IN ORDER TO EDUCATE PERSONS WORLD-WIDE.©

These are the journals associated in part with The Revelation Painting.

The blogs are rough drafts of sections of the journals which will be published after the painting is released-projected 2012, (projected journal releases 2013-2015).  I have chosen to publish these blogs and not keep them private as it will give the audience an opportunity to learn and grow with The Revelation Painting in this last year which I term:  The Finale’.

The blogs are in no particular order visible to you but they are being separated into their respective journals behind the scenes.  These journals hold several mysteries unveiled in The Book of Revelation from the bible which have been missed throughout history and once revealed will change history as we know it.  So you are reading history in the making!

The Revelation Painting is created for the people of the globe and for the past eleven years, people have participated in its creation.  The overall endeavor is to create visual peace in these times of turmoil throughout the world.  It is an opportunity to focus on something beautiful and designed to place the viewer in awe.  Please see the blog about the painting at:  www.therevelationpainting.wordpress.com

The Journals included with this painting are as follows:

Journal I  The Journal of Dreams

This journal summarizes where and how the painting originated, the initial attempts at its creation, essentially the beginning of the work through its completion.  Background on the artist, past experiences, current experiences and thoughts, ideas and feelings while working on this masterpiece are captured within the pages of the journal.  It contains rare insight into an artist mind while working on a masterpiece!

Journal II  The Journal of Visions

Exploring imagination and visually preparing for this endeavor, the journal recalls where the vision arose and how it developed throughout the twelve total years required to complete The Revelation Painting.  It explores the artist views and personal battles with religion, God, the “calling” as a messenger to complete this massive religious painting.

Journal III  Journal of Measures

The Journal of Measures covers not only the grids and precise measurement required for a 12 foot by 40 foot creation, but the numbers and coincidences found throughout the twelve years required to complete the painting.  Small sketched works were required to become at times “larger than life”.  The journal is in graph form to help facilitate readability and understanding of the creative and sometimes scientific processes required to manually enlarge drawings without the aid of electronics or other artificial means.

Journal IV Journal of Sketches

Preliminary thoughts are sketched and worked through in order to create the perfect scene, exactly how the artist conceptualized the painting upon completion.  Starting often times as merely stick images, working through to the completed characters or scenes.  The journal also includes required experimentation to create a painting which would be durable enough to withstand the test of time, e.g., the effects of the raw mineral sulfur and its acidic effects on cloth canvas.

Journal V  The Stones

In depth coverage about the stones of the twelve foundations noted in The New City are covered in this journal.  Geological, metaphysical, spiritual and origins are also covered.  Stories about global participation in obtaining the stones are also covered.  Tools, lacquer, and very significant mystery of Revelation is disclosed in this journal.

Journal VI  Truth-The Hemorrhage of Pigs!

The artist reveals the profound change made in the painting in 2009 and how it occurred.  Where religion became political and how it forced the artist to find a way to make the painting stay in its original religious state, yet in moments change into a political piece revealing corruption and essentially crimes against humanity!  This is the climax behind the story of The Revelation Painting which will shock and astound followers of the series when it is realized that there has been a battle of good and evil within the painting the entire time!  The painting bleeds-a hemorrhage and returns to its normal state right in front of your eyes!

Journal VII  Journal of Acknowledgement

This is the journal where all participants globally are acknowledged for their participation in the attempt and completion of The Revelation Painting.  A one page advertising area is offered (text only, no photography), to advertise business, make a statement to the world, or anything the author wishes.  Contributions can range from a comment, marketing, to sponsorship or obtaining materials.  Everyone is acknowledged, some to the point of limited ownership of a random section of the painting! 

SO COMMENTS ARE VERY SIGNIFICANT IN THESE BLOGS-THE MAIN PAINTING BLOG OR THE JOURNALS.  PLEASE EXPLORE WAYS TO MAKE THE PAINTING BETTER, OFFER MARKETING, DONATIONS, IDEAS, GEMSTONES WHATEVER YOU CAN…IT WILL PAY OFF AND AT THE VERY LEAST, YOUR SELECTED (WHAT YOU CHOSE) INFORMATION WILL BE ASSOCIATED WITH A HISTORICAL PAINTING IN THE JOURNAL OF ACKNOWLEDGEMENT!

The journal titles are written in english and subtitles of the journals as well as subtitles of the scenes of the painting are written in random languages.  The journals will be designed appropriately and with the highest hand quality a painting such as The Revelation Painting deserves and designed to last more than a lifetime.

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©PLEASE NOTE THAT THIS IS INTELLECTUAL PROPERTY AND THIS IS COPYRIGHTED INFORMATION.  USE OF THIS INFORMATION IN REPRODUCTION or ANY OTHER MANNER CONSTITUTES COPYRIGHT INFRINGEMENT AND IS A CRIME PUNISHABLE BY LAW©

The FIRST MYSTERY OF REVELATION

THE FOUR HORSEMEN

 

A long time ago, when I was still considered a child I tried to sketch what I envisioned and dreamed regarding this painting and was unable to.  Believing it just wasn’t my time, that I hadn’t yet earned the right I continued on with my life.  Although I had made bets with myself to read the entire bible, I often became discouraged because I did not understand what I was reading and still do not…mostly.  I would put the bible up and forget about it.  I had read or heard that if you simply ask for understanding, you will receive it.  I also read not to test God, but the rebel I am an have always been went ahead and tested him.  I asked for understanding.  Sometime later, I read Revelation like I always did, as an artist and not a religious person.  I got to the Four Horsemen and found my heart pounding in realization…
I had earned the right, I finally understood!

Once widely used to classify races of humans and still used in Forensics and medical sciences, I find it interesting that the four primary races match the colors of the horses in overall color, (please see blog regarding the Pale Horse separate from this entry) as well as the roles the horses represent.  The terms are not used as much publicly due to the “offensive” projections people feel they create.  For this piece, I will use them for scientific and artistic purposes in order to express my theory as I see it.  All I can tell you is if you feel offended, close the blog.

Theoretically, the Caucasian-white, Australoid-red, Negroid-black, and the Mongoloid-pale (In art the lightest basic color in the color scale before white, classified as “pale”).  One could argue the “pale” theory but I am not here to argue that, I am here to express my theory as an artist, keep an open mind, continue researching the subject and make sure I have scientific evidence and proven information.

The terms are used in physical anthropology and intricate details of each skull type are used to classify the originations of various humans or the regions of the world from which they were first known to inhabit.  It is interesting information and you may not be who you think you are!  In science and through excessive research, it has been found that:
 
Caucasoid people were/are indigenous to Europe (see European countries:  http://en.wikipedia.org/wiki/Europe), Western and South Asia, as well as a Western section of Central Asia and North Africa.

Australoid-Australoid peoples ranged throughout Australia, New Guinea, and Melanesia, as well as different parts of Oceania , Philippines,Thailand, Malaysia, Indonesia, India, and the Southern Middle East.

Negroid are people from a Southern portion of North Africa and sub-Sahara Africa.

Mongoloid people are East and Southeast Asian, the Eastern portion of Southeast Asia, Polynesia, Far East Central Asia, Greenland, Far Eastern region of South Asia and the Americas!  (This is very significant in the story of The Four Horsemen.)

See link for geographical reference to race originations:

http://en.wikipedia.org/wiki/Craniofacial_anthropometry

Please note that ALL people classified in the origin may not have an active role in the events represented by their horses’ role.

So, what does all this mean?
These are the Four Horsemen of Revelation:
The White Horse-Caucasoid
The Red Horse-Australoid
The Black Horse-Negroid
The Pale Horse-Mongoloid

 

SECTION ONE-THE FOUR HORSEMEN-THE WHITE HORSE

According to Revelation the White Horse:

“…And I saw, and behold a white horse: and he that sat on him had a bow; and a crown was given unto him: and he went forth conquering, and to conquer…”

EUROPEAN MAJOR WARS/Events:
French Revolution 1789, Industrial Revolution-Second half of the 18th century, Russian Revolution 1917.  See:  World War II Timeline…Germany, Hitler, Soviets, etc… It is astounding information!  http://www.historyplace.com/worldwar2/timeline/ww2time.htm
And in current times the threat of The New World Order-The wealthiest most powerful bloodlines in the world.
The 13 bloodlines are:

The Astor Bloodline
The Bundy Bloodline
The Collins Bloodline
The DuPont Bloodline
The Freeman Bloodline
The Kennedy Bloodline
The Li Bloodline
The Onassis Bloodline
The Reynolds Bloodline
The Rockefeller Bloodline
The Rothschild Bloodline
The Russel Bloodline
The Van Duyn Bloodline

Also as a 14th bloodline theirs a Merovingian (Merovingian – a Frankish dynasty founded by Clovis I that reigned in Gaul and Germany from about 500 to 750 bloodline) which has something to do with the European Royal Families and also 3 interconnected bloodlines,

The Disney Bloodline
The Krupp Bloodline
The McDonald Bloodline.

It appears throughout time, the Caucasian race has utilized the bow and crown given to him.
Some text theorize the White Horse is the Antichrist but does not link the theory to research, although if I had to look at it in that manner, I would have to agree.
If a person looked at these horses as not only races of people but the timelines and peaks of their reigns, that person could calculate events before they happen.  The times overlap yet there are definite peaks, as you will see in The Black Horse theory.
Biblical years v.s current years:  http://www.direct.ca/trinity/360day.html

 

SECTION TWO-THE FOUR HORSEMEN-THE RED HORSE

The Red Horse-Australoid:

 ”…And there went out another horse that was red: and power was given to him that sat thereon to take peace from the earth, and that they should kill one another: and there was given unto him a great sword…”

The focus on The Red Horses Australoid origin would obviously focus on the Middle East in current times all the way back to biblical times.  Peace has definitely been taken from the earth for a long, long time due to the discord.  The Middle East fight among themselves and indeed kill each other.

My confusion came when I thought about the American Indians and their skin colors so similar to Middle Eastern.  I thought they did fight amongst themselves and kill each other too, along with others but if they were here before “white men”, they did not fit into the Australoid origin theory.  My entire theory was shot…But then I started thinking, well then, where did they originate from?

SHOCKINGLY, this is what I surely did not expect to find:
Skulls of peoples with Australoid morphologies have been found in the Americas, leading to speculation that peoples with phenotypical similarities to modern Australoids may have been the earliest occupants of the continent.
http://www.reference.com/browse/wiki/Australoid

 SECTION THREE-THE FOUR HORSEMEN-THE BLACK HORSE

 “…and behold, a black horse, and he who sat on it had a pair of balances (scales) in his hand…”

I went over some of this material in my post regarding the Black Horse previously.  I stated as the artist, and as a human being that I felt no man in history had given so much toward equality in the world as Martin Luther King, even losing his life for it.  It was his actions which gave birth to all of the equal rights movements for so many things in current history.

For me, the balances (scales) are equality and therefore justice by weight of evidence measured.  I also noted that the rider of the Black Horse will be Martin Luther King.  The equality explosion occurred in effort to obtain equal rights for African Americans, and all people in general.  So it would center around the Negroid race.

 

SECTION FOUR-THE FOUR HORSEMEN-THE PALE HORSE

THE MONGOLOID PEOPLE-THE PALE HORSE

“…And behold, a pale horse, and he who sat on it, his name was Death. Hades followed with him. Authority over one fourth of the earth, to kill with the sword, with famine, with death, and by the wild animals of the earth was given to him…”

Mongoloid people are East and Southeast Asian, the Eastern portion of Southeast Asia, Polynesia, Far East Central Asia, Greenland, Far Eastern region of South Asia and surprisingly enough, the Americas!

Shocking to realize WE (Pale Americans) are the Pale Horse!

Is it coincidental that we are currently on the brink of World War III?  Is it too far fetched to think that America does not have a major role in the unsettled politics of our current times and the overall turmoil of the world?  Are we the rider named Death?

EMERALD-The Fourth Stone

October 22, 2009

EMERALD-The Fourth Stone

Red Emerald-Bixbite

Beryl has been considered a valuable gemstone since prehistoric times. There are many colors of beryl known under many names. Green beryl is called emerald. In the 1800s green beryl was removed from the beryl family and called emerald. Blue beryl is aquamarine, colorless is goshenite, pink is morganite and yellow is heliodor ranging from a bright yellow to a honey-golden yellow.

Red beryl is extremely rare and mimics shades of red from bubble gum to to scarlet, or the color of blood. Mainly found within the Wah Wah Mountains of Utah, only an estimated 60 pounds were ever mined in the history of the world! Some smaller amounts have been found in other countries recently. Oddly enough it seems people are drawn to this stone yet do not understand why. The reason will be revealed later via an exerpt from The Stones Journal.

Blood?

The most common thread between this stone, its rarity, and the similar color of blood is in fact that the bible pounds a message to its readers that we should never forget that Jesus shed his blood for our sins. What better way to elevate the significance of that sacrifice than to mark it with the rarest gemstone in the world? These facts seem confusing but within The Revelation Painting there is a mystery of Revelation which has been overlooked since the bible was written and it will be revealed in The Stones Journal. Once revealed, the mystery is easily seen in the painting. The price for red beryl or Bixbite is astronomical! For one faceted carat, you can expect to pay $20,000.00 or more. Although I have obtained 6 carats of rough stone and the collection required for this section of the painting (an estimated 272 carats) will obviously have to be forfieted in lieu of a replacement stone of similar color or some other meaningful way to express the significance of this most important section.

I once spoke to a man who had worked in the mines in Utah and asked for the owner’s contact information. He was very put off when he found that I needed to crush it for the painting. He went on to say that the stone was highly coveted and that the owner would never sacrifice it for the painting. I will never know if I do not ask, so time will tell if the mine owner will sacrifice a handful of the stone.

(THIS SECTION WILL BE UPDATED as developments occur)

Jacinth-The 11th Stone

October 7, 2009

Jacinth

The 11th Stone of The Revelation Painting

–noun
a female given name, form of Hyacinth.

1.  a bulbous plant, Hyacinthus orientalis, of the lily family, widely cultivated for its cylindrical cluster of fragrant flowers in a variety of colors.

2.  any of various similar or related plants, as the grape hyacinth or the water hyacinth.

3.  a plant fabled to have sprung from the blood of Hyacinthus and variously identified as iris, gladiolus, larkspur, etc.

4.  Mineralogy. a reddish-orange zircon. (Current times)

5.  a gem of the ancients, held to be the amethyst or sapphire.

Also called jacinth for defs. 3–5.

Origin:
1545–55; < L hyacinthus < Gk hyákinthos blue larkspur, also a gem of blue color; cf.
jacinth

SAPPHIRE

Sapphire (Greek: σάπφειρος; sappheiros) is a gemstone variety of the mineral corundum, an aluminium oxide (α-Al2O3), when it is a color other than red, in which case the gem would instead be a ruby. Trace amounts of other elements such as iron, titanium, or chromium can give corundum blue, yellow, pink, purple, orange, or greenish color. Pink-orange corundum are also sapphires, but are instead called padparadscha.

http://en.wikipedia.org/wiki/Sapphire

Rough Blue SapphireSapphires are mined from alluvial deposits or from primary underground workings. The mining locations include Myanmar, Madagascar, Sri Lanka, Australia, Thailand, India, Pakistan, Afghanistan, Tanzania, Kenya and China. The Logan sapphire, the Star of India and the Star of Bombay originate from Sri Lankan mines. Madagascar leads the world in sapphire production (as of 2007) specifically in and around the city of Ilakaka.  Prior to Ilakaka, Australia was the largest producer of sapphires (as of 1987).  In 1991 a new sapphire occurrence was discovered in Andranondambo, southern Madagascar. That area was industrially exploited since 1993 and has been almost abandoned few years later because of difficulties of exploiting sapphires in their bedrock.  In the United States sapphires have been produced from deposits near Helena, Montana. Gem grade sapphires and rubies are also found in and around Franklin, North Carolina.

There will be a blog posted at:  www.therevelationpainting.com in the http://overview.therevelationpainting.com section which will disclose exactly how this stone fits into an historical mystery about The New City.  This mystery has been missed throughout time and will create world-wide recognition!  It IS without a doubt the most pertinent discovery in the history of religion.  The disclosure of that mystery will be later this year, most likely in July.  Other blogs leading up to this finale’ are regularly being posted.  Come visit me:  www.therevelationpainting.com

 

 

Truth-The Hemorrhage of Pigs!


I locked the Hemorrhage page at www.therevelationpainting.com requiring a password to see it. The reason is that religion is a touchy subject and I may sound harsh to some people and/or groups as I make my case regarding what Truth-The Hemorrhage of Pigs! is all about.

The second reason is that recently, a friend of mine was contacted by a government entity which cited them for “talking about the government”. I do not want to blacklist myself before I even get started. I know that this painting will grow tremendous controversy. It already is.

I will only write blogs about the mechanism of the bleed, the design and measurements, and the sketches regarding this section of the painting and forget about the “politics” behind it. In other words, discussing the art of it will be the priority until later on when the password protection is removed.

To remind you about the Hemorrhage section of the painting  Scene II GOD; it is where the brilliant, white light of God begins to bleed from the application of thermochromic pigments that when heated to approximately 88 degrees will turn from a red (slightly pink due to the saturation of pigment) to a clear.

The painting will require heated light sources to keep the red pigment at bay, then when the lights are out, the painting begins to bleed Truth-The Hemorrhage of Pigs!  When the lights are turned back on, the painting will return to the pristine, brilliant, white light of God once again.

Here is a general design of the effect, of course you will not see a change here, it is an illustration. I am working on learning to video certain things to make short youtube videos to place here on myspace and at www.therevelationpainting.com in anticipation of my June videos actually painting the painting.

 

  

   

The following are views of the Hemorrhage effect.  The first is when the pigment is cold (under 88 degrees) but the colder, the better but not freezing.  It arrives in various forms; a powder, a slurry, a paint or ink.  This medium was a slurry.  The area TEST is where I wanted to see the black thermochromic related to being covered by the red and their reactions.

The following pictures is the pigment heated with a blow dryer (for faster) response and true color.  It is important to apply one thin coat because the red is very hard to work with due to the remaining pigment when cooled.  In the painting (if you read the “EMERALD” blog, and God’s EMERALD rainbow, you will see the pink does not matter.

Actual changing times required are available by clicking on the photos here.. 
 

  

  

  

 

 

 This is a very important component of the painting.  Please see the GIVE/TAKE page to see how you can help keep this section of the painting alive!  The life span of the pigment on the painting is approximately 6 months where it will then require a “tune up”.  I realize that one day the effect will happen no more and hopefully “things” which brought it to this point are resolved in the world and it will not matter by then.

   

Please see the GIVE/TAKE page at www.therevelationpainting.com

a “tune up”.  I am well aware that this effect will diminish over time and will one day not be a part of the painting.  Hopefully by that day, the things which triggered this section will exist no longer and the world will have changed for the better. require 6 months, when the painting will approximately is thermochromics for ways you can keep this very important section of the painting alive.  The life of

  

 
 

requiring a password to see it.  The reason is that religion is a touchy subject and I may sound harsh to some people and/or groups as I make my case about what Truth-The Hemorrhage of Pigs! is all about. 

Acrylics are my paint of choice.  I paint fast and the number one reason is drying time.  Often times I blow dry my work as I paint.  Oils are magnificent but offer a burden for me in control.  The oil is slick and difficult to control especially for detailed work.  I painted one oil painting in my life and what should have taken a couple of hours, took over 3 weeks to dry!  The modern acrylics of today in my opinion, offer the richness and brilliance in color like oils.

Pigments are mixed with various clear lacquer and other mediums.  For The Revelation Painting some pigments include minerals, tree barks, fruits, flowers, or plant parts.  Minerals are also used to create vibrant, color fast scenes.  All paint applied is UV protected and the painting upon completion will be sealed with a UV protecting clear coat which is the substance used to seal cars!  This will create gloss and durability in effort to create a magnificent work of fine art which will withstand the test of time. 

All of these are important aspects of creating art.  UV protecting prevents yellowing over time.  Archival canvas with limited acids were specifically chosen for this work.  I do not use gesso as a primer and have been known as a paint waster.  I prefer to build the color through layering for a solid pigment, and a rich finish.  Some of the painting will have an instant coffee “wash” applied for antiquing techniques. 
As stated in previous blogs and information about this painting, there are never seen techniques used in the creation of the work.

Golden Heavy Body Artist Acrylics 4 oz

My favorite all time paint is Golden Fluid Acrylics.  They are the thinner version of Golden Heavy Body paints, which are my second favorite paint.  I paint with much control and attention to detail.   Abstract work is difficult for me as I have not learned how to “let go” of tight lines.  Although I may think outside of the box, I have not yet learned how to paint outside of the box.  Much effort and consciousness is utilized to bring fluidity and flowing lines to my work.  Although it is a difficult task, I strive to “open” my paintings which finding the balance between detailed control and the freedom of expression. 
.
The total estimated cost of the paints used in this painting is well over $35,000.00.  Please note that the paint comes in 1 ounce, 2 ounce, and 1/2 ounce vials.  Imagine 12X40 feet and an ounce of paint!  The average price of any one of these paints run from $4.50-$15.00 or more depending on the series and/or color.  Actual 24K gold flakes are used in some scenes which also adds a hefty price tag to the piece.  Texturizing is very important and where layers and layers of real paint are used in lieu of texturizers and molding, the actual cost of paint becomes astounding!

For example, the highly textured Devil in this painting was created by large “dabs” of paint, left to almost dry, then gently and specifically pressed causing a realistic reptilian skin.  Wax paper is used to prevent pulling of the nearly dry paint leaving holes.  The Devil required nearly $2500.00 worth of the most expensive red and orange hues. (Reds are usually higher priced).  The “dabs” pressed measure vertically 2-4.0 mm which is thick for paint on canvas.  Underlying browns were used for contrast and depth perspective, as well as swirled into the reds and oranges in effort to created texture within texture. 

Scene 2-God required various layers of the most luminescent white paint and mica to provide a glow unseen anywhere else in the painting.  Great care was taken and careful consideration regarding the second scene within the scene of God;  Truth-The Hemorrhage of Pigs!, where the bright white was repainted with thermochromic paint to create the red hemorrhage.  The high risk of yellowing overtime and temperature change will require specific retouching over time and the directions specific to the retouching techniques will be written on the back of those canvases. 

In addition to the mentioned acrylic paints and custom pigments, I will also be using Liquitex products which are also higher quality acrylic paints.  Those of you who know paints, know the quality of these paints and for those of you who do not know paints, here is some information borrowed from the Golden website:

http://www.goldenpaints.com/products/color/fluid/index.php

GOLDEN Fluid Acrylic Color Lines Fluid Colors
Fluid paints contain near the same pigment strength as Golden Heavy Body colors in a pourable, low viscosity formula.
Fluid Iridescent / Fluid Interference
Familiar for their radiance, GOLDEN Iridescent Colors produce a luster by themselves, with other colors, or mixed with mediums.
GOLDEN Interference Colors offer a unique “flip” when viewed from different perspectives.
Historical Fluid Acrylic Hues
GOLDEN technology uses contemporary pigments to create hue combinations of these traditional colors; combining the integrity of the past with today’s requirements for quality, lightfastness and safety.
Matte Fluids
Provides a uniform flat finish in a wide variety of concentrated colors.Fluid Acrylic Colors

Fluid Acrylics are highly intense, permanent acrylic colors with a consistency similar to heavy cream. Produced from lightfast pigments, not dyes, they offer very strong colors with very thin consistencies. No fillers or extenders are added and the pigment load is comparable to GOLDEN Heavy Body Acrylics.

Unlike mixtures of heavy-bodied paints and water which produce weak color and films by dilution, Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility and good adhesion. Fluid Acrylics are ideal for spraying, brushing, staining, and can be mixed with other GOLDEN Products. Blend with Airbrush Medium for spray application. Excellent for fabric application.

Please see the colors on the website.

Learning religion through repeated Revelations…

The definition of religion:

1. a set of beliefs concerning the cause, nature, and purpose of the universe, esp. when considered as the creation of a superhuman agency or agencies, usually involving devotional and ritual observances, and often containing a moral code governing the conduct of human affairs.

THINK ABOUT THIS:  A MORAL CODE GOVERNING THE CONDUCT OF HUMAN AFFAIRS…

 

THE REVELATION PAINTING truly started out as a painting of Revelation-seven scenes but now it has become a crusade of truth.  I have been working on this painting for 11 years and always knew I had a fail-safe in the churches and others with income that has been generated and continues to be generated by you and me and our families and friends.  After all, we supported their “glory” in their “crusade of Christ” for centuries and continue to do so, surely, they would reciprocate and support our dreams, and aspirations…right?  Wrong!  My emails must be considered spam…spam is essentially considered garbage, therefore my dreams are garbage and I am worthless yet my money buys their mansions and Ferraris, Rolls, fancy $40,000.00 gowns, their yachts, their summer house, their winter house, their fall and summer houses and the houses in between, their trips all over the world, their jets, their drugs, their private parties, excessive weddings, and divorces, essentially their very excessive lives!  If it all sounds ludicrous, that is because it is!  I am not saying all churches take advantage of faithful souls but some do!

I waited until the last year before the completion of the painting to request sponsorship from one or some of the 50 MEGACHURCHES in America.  Naïve, I believed the churches I saw on TV, the ones with the biggest flat screens they make all over their “arenas” of a church, the ones which sit bright white on hills in every city packed full of believing, generous souls.  These are the churches on TV with over 10,000 members in a church so horribly big that it is an arena!  I wrote them less than 2 months ago and they deleted my email without even reading it and it said:  “God’s Work” in the subject line!  It’s not that I wrote one church or ten churches, I wrote fifty churches! 

So from there, I went to “charitable organizations” like Habitat for Humanity where I offered 10% of my Ebay sales toward their charity.  I figured an eye for an eye.  They could advertise me and I would give them 10% of the proceeds.  They deleted my email without reading it and the subject line said:  “Big Donations”.  I went to the fortune 100 companies in the U.S., the richest people in America-Trump, Oprah, actors, musicians, and I am not finished.  The only company who wrote back was Exxon!  They have a sponsorship I can apply for.  However, I had told them about my plan (see below-the Hemorrhage) beforehand…I was mad as hell and very impulsive that day.

Then in my search I found information about the New World Order, and that we as Americans have been absolutely fooled and shafted!  I got mad as hell again.  It almost closed me down-emotionally, mentally; artistically….I learned about the World Trade Center and the 911 workers who are dying and our government is not helping them at all!  I saw the stuff about J. F. Kennedy, the conspiracies and how he had signed Executive Order 11110 right before he was assassinated which put the money back in our hands instead of the U.S Treasury…after he died it went right back to the U.S Treasury (which by the way is private bankers…did you know that?)  I knew it was all-real.  How in the hell had I walked around blind with 20/20 vision my entire life?

The painting changed from “just” a painting of Revelation to now using thermochromic paints, which change with temperature to reveal the white and pristine fiber optic God to bleeding on the canvas right before your eyes revealing TRUTH-The Hemorrhage of Pigs!  I wonder what those 10,000 plus followers will think about their “con-man” preachers, priest and rabbi’s after this painting is released?  When the names of their church and how much it’s worth because of the little plate that’s been passed around for hundreds and hundreds of years.   What they did and continue to do is now splattered in blood across the image of God!  It is quite a visual effect SHOCKING to say the least.  How many records will be sold and TV shows watched without the person thinking about it now?  These people got where they are from us, our parents, our friends, our families, our friends families…

~Changes to the painting~

The rider of the black horse is now Martin Luther King as he was the true martyr for equality and the King of Kings, Lord of Lords horse rider is J. F. Kennedy (he is the one who chains the devil for 1000 years-the beast.  If you read about the New World Order, you will know exactly whom the beast is).  There are so many other changes within this painting; it is rich with politics, dishonesty and corruption.  I can write backwards and upside down, so there will be messages hidden within the painting and now there is an unseen battle within the painting of good vs. evil, which is also new.  Once you see it within the painting, you can follow it.  This painting is going to make history, it is going to make many people very angry, and it is going to change many of the things we believed or at least make some people think.

During the 10 years of buying and crushing pounds and pounds-not just carats, of precious and semi precious gemstones (rubies, sapphires, amethyst, etc…),  I have found the answer to 3 of the mysteries of Revelation so far (it is all about 7’s and mysteries).  I was shocked when I found them.  One of them I may not show-it will cause a worldwide uproar.  It is regarding the pale horse who’s rider’s name is Death.  My anger is peaked and I know I am not the only one with dreams waiting for support from the people I have supported my entire life and this painting will be completed by my determination and financial backing if I continue to be ignored or not.  In the end, will it matter?  For me yes, without a doubt.  I am not religious, but I am learning about the moral code, which governs the conduct of human affairs in America.  Are we the harlot of the world?