©PLEASE NOTE THAT THIS IS INTELLECTUAL PROPERTY AND THIS IS COPYRIGHTED INFORMATION.  USE OF THIS INFORMATION IN REPRODUCTION or ANY OTHER MANNER CONSTITUTES COPYRIGHT INFRINGEMENT AND IS A CRIME PUNISHABLE BY LAW.  MATERIAL USED FOR EDUCATIONAL PURPOSES HAS BEEN LINKED TO THE WEBSITES OF THEIR VARIOUS OWNERS AND COPYRIGHTS REMAIN LINKED TO THOSE OWNERS AS WELL.  IF YOU ARE THE OWNER OF ANY MATERIAL ON THIS SITE AND WOULD LIKE YOUR MATERIAL REMOVED, PLEASE CONTACT THE AUTHOR.  NOTE THAT YOUR LINK TRAFFIC MAY/MAY NOT INCREASE AS A RESULT OF THESE EFFORTS AND THAT AN HONEST EFFORT TOWARD ACKNOWLEDGMENT OF THE MATERIAL USED HAS BEEN EXHAUSTED.  THANK YOU IN ADVANCE FOR THE USE OF MATERIAL USED IN ORDER TO EDUCATE PERSONS WORLD-WIDE.©

These are the journals associated in part with The Revelation Painting.

The blogs are rough drafts of sections of the journals which will be published after the painting is released-projected 2012, (projected journal releases 2013-2015).  I have chosen to publish these blogs and not keep them private as it will give the audience an opportunity to learn and grow with The Revelation Painting in this last year which I term:  The Finale’.

The blogs are in no particular order visible to you but they are being separated into their respective journals behind the scenes.  These journals hold several mysteries unveiled in The Book of Revelation from the bible which have been missed throughout history and once revealed will change history as we know it.  So you are reading history in the making!

The Revelation Painting is created for the people of the globe and for the past eleven years, people have participated in its creation.  The overall endeavor is to create visual peace in these times of turmoil throughout the world.  It is an opportunity to focus on something beautiful and designed to place the viewer in awe.  Please see the blog about the painting at:  www.therevelationpainting.wordpress.com

The Journals included with this painting are as follows:

Journal I  The Journal of Dreams

This journal summarizes where and how the painting originated, the initial attempts at its creation, essentially the beginning of the work through its completion.  Background on the artist, past experiences, current experiences and thoughts, ideas and feelings while working on this masterpiece are captured within the pages of the journal.  It contains rare insight into an artist mind while working on a masterpiece!

Journal II  The Journal of Visions

Exploring imagination and visually preparing for this endeavor, the journal recalls where the vision arose and how it developed throughout the twelve total years required to complete The Revelation Painting.  It explores the artist views and personal battles with religion, God, the “calling” as a messenger to complete this massive religious painting.

Journal III  Journal of Measures

The Journal of Measures covers not only the grids and precise measurement required for a 12 foot by 40 foot creation, but the numbers and coincidences found throughout the twelve years required to complete the painting.  Small sketched works were required to become at times “larger than life”.  The journal is in graph form to help facilitate readability and understanding of the creative and sometimes scientific processes required to manually enlarge drawings without the aid of electronics or other artificial means.

Journal IV Journal of Sketches

Preliminary thoughts are sketched and worked through in order to create the perfect scene, exactly how the artist conceptualized the painting upon completion.  Starting often times as merely stick images, working through to the completed characters or scenes.  The journal also includes required experimentation to create a painting which would be durable enough to withstand the test of time, e.g., the effects of the raw mineral sulfur and its acidic effects on cloth canvas.

Journal V  The Stones

In depth coverage about the stones of the twelve foundations noted in The New City are covered in this journal.  Geological, metaphysical, spiritual and origins are also covered.  Stories about global participation in obtaining the stones are also covered.  Tools, lacquer, and very significant mystery of Revelation is disclosed in this journal.

Journal VI  Truth-The Hemorrhage of Pigs!

The artist reveals the profound change made in the painting in 2009 and how it occurred.  Where religion became political and how it forced the artist to find a way to make the painting stay in its original religious state, yet in moments change into a political piece revealing corruption and essentially crimes against humanity!  This is the climax behind the story of The Revelation Painting which will shock and astound followers of the series when it is realized that there has been a battle of good and evil within the painting the entire time!  The painting bleeds-a hemorrhage and returns to its normal state right in front of your eyes!

Journal VII  Journal of Acknowledgement

This is the journal where all participants globally are acknowledged for their participation in the attempt and completion of The Revelation Painting.  A one page advertising area is offered (text only, no photography), to advertise business, make a statement to the world, or anything the author wishes.  Contributions can range from a comment, marketing, to sponsorship or obtaining materials.  Everyone is acknowledged, some to the point of limited ownership of a random section of the painting! 

SO COMMENTS ARE VERY SIGNIFICANT IN THESE BLOGS-THE MAIN PAINTING BLOG OR THE JOURNALS.  PLEASE EXPLORE WAYS TO MAKE THE PAINTING BETTER, OFFER MARKETING, DONATIONS, IDEAS, GEMSTONES WHATEVER YOU CAN…IT WILL PAY OFF AND AT THE VERY LEAST, YOUR SELECTED (WHAT YOU CHOSE) INFORMATION WILL BE ASSOCIATED WITH A HISTORICAL PAINTING IN THE JOURNAL OF ACKNOWLEDGEMENT!

The journal titles are written in english and subtitles of the journals as well as subtitles of the scenes of the painting are written in random languages.  The journals will be designed appropriately and with the highest hand quality a painting such as The Revelation Painting deserves and designed to last more than a lifetime.

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©PLEASE NOTE THAT THIS IS INTELLECTUAL PROPERTY AND THIS IS COPYRIGHTED INFORMATION.  USE OF THIS INFORMATION IN REPRODUCTION or ANY OTHER MANNER CONSTITUTES COPYRIGHT INFRINGEMENT AND IS A CRIME PUNISHABLE BY LAW©

The FIRST MYSTERY OF REVELATION

THE FOUR HORSEMEN

 

A long time ago, when I was still considered a child I tried to sketch what I envisioned and dreamed regarding this painting and was unable to.  Believing it just wasn’t my time, that I hadn’t yet earned the right I continued on with my life.  Although I had made bets with myself to read the entire bible, I often became discouraged because I did not understand what I was reading and still do not…mostly.  I would put the bible up and forget about it.  I had read or heard that if you simply ask for understanding, you will receive it.  I also read not to test God, but the rebel I am an have always been went ahead and tested him.  I asked for understanding.  Sometime later, I read Revelation like I always did, as an artist and not a religious person.  I got to the Four Horsemen and found my heart pounding in realization…
I had earned the right, I finally understood!

Once widely used to classify races of humans and still used in Forensics and medical sciences, I find it interesting that the four primary races match the colors of the horses in overall color, (please see blog regarding the Pale Horse separate from this entry) as well as the roles the horses represent.  The terms are not used as much publicly due to the “offensive” projections people feel they create.  For this piece, I will use them for scientific and artistic purposes in order to express my theory as I see it.  All I can tell you is if you feel offended, close the blog.

Theoretically, the Caucasian-white, Australoid-red, Negroid-black, and the Mongoloid-pale (In art the lightest basic color in the color scale before white, classified as “pale”).  One could argue the “pale” theory but I am not here to argue that, I am here to express my theory as an artist, keep an open mind, continue researching the subject and make sure I have scientific evidence and proven information.

The terms are used in physical anthropology and intricate details of each skull type are used to classify the originations of various humans or the regions of the world from which they were first known to inhabit.  It is interesting information and you may not be who you think you are!  In science and through excessive research, it has been found that:
 
Caucasoid people were/are indigenous to Europe (see European countries:  http://en.wikipedia.org/wiki/Europe), Western and South Asia, as well as a Western section of Central Asia and North Africa.

Australoid-Australoid peoples ranged throughout Australia, New Guinea, and Melanesia, as well as different parts of Oceania , Philippines,Thailand, Malaysia, Indonesia, India, and the Southern Middle East.

Negroid are people from a Southern portion of North Africa and sub-Sahara Africa.

Mongoloid people are East and Southeast Asian, the Eastern portion of Southeast Asia, Polynesia, Far East Central Asia, Greenland, Far Eastern region of South Asia and the Americas!  (This is very significant in the story of The Four Horsemen.)

See link for geographical reference to race originations:

http://en.wikipedia.org/wiki/Craniofacial_anthropometry

Please note that ALL people classified in the origin may not have an active role in the events represented by their horses’ role.

So, what does all this mean?
These are the Four Horsemen of Revelation:
The White Horse-Caucasoid
The Red Horse-Australoid
The Black Horse-Negroid
The Pale Horse-Mongoloid

 

SECTION ONE-THE FOUR HORSEMEN-THE WHITE HORSE

According to Revelation the White Horse:

“…And I saw, and behold a white horse: and he that sat on him had a bow; and a crown was given unto him: and he went forth conquering, and to conquer…”

EUROPEAN MAJOR WARS/Events:
French Revolution 1789, Industrial Revolution-Second half of the 18th century, Russian Revolution 1917.  See:  World War II Timeline…Germany, Hitler, Soviets, etc… It is astounding information!  http://www.historyplace.com/worldwar2/timeline/ww2time.htm
And in current times the threat of The New World Order-The wealthiest most powerful bloodlines in the world.
The 13 bloodlines are:

The Astor Bloodline
The Bundy Bloodline
The Collins Bloodline
The DuPont Bloodline
The Freeman Bloodline
The Kennedy Bloodline
The Li Bloodline
The Onassis Bloodline
The Reynolds Bloodline
The Rockefeller Bloodline
The Rothschild Bloodline
The Russel Bloodline
The Van Duyn Bloodline

Also as a 14th bloodline theirs a Merovingian (Merovingian – a Frankish dynasty founded by Clovis I that reigned in Gaul and Germany from about 500 to 750 bloodline) which has something to do with the European Royal Families and also 3 interconnected bloodlines,

The Disney Bloodline
The Krupp Bloodline
The McDonald Bloodline.

It appears throughout time, the Caucasian race has utilized the bow and crown given to him.
Some text theorize the White Horse is the Antichrist but does not link the theory to research, although if I had to look at it in that manner, I would have to agree.
If a person looked at these horses as not only races of people but the timelines and peaks of their reigns, that person could calculate events before they happen.  The times overlap yet there are definite peaks, as you will see in The Black Horse theory.
Biblical years v.s current years:  http://www.direct.ca/trinity/360day.html

 

SECTION TWO-THE FOUR HORSEMEN-THE RED HORSE

The Red Horse-Australoid:

 ”…And there went out another horse that was red: and power was given to him that sat thereon to take peace from the earth, and that they should kill one another: and there was given unto him a great sword…”

The focus on The Red Horses Australoid origin would obviously focus on the Middle East in current times all the way back to biblical times.  Peace has definitely been taken from the earth for a long, long time due to the discord.  The Middle East fight among themselves and indeed kill each other.

My confusion came when I thought about the American Indians and their skin colors so similar to Middle Eastern.  I thought they did fight amongst themselves and kill each other too, along with others but if they were here before “white men”, they did not fit into the Australoid origin theory.  My entire theory was shot…But then I started thinking, well then, where did they originate from?

SHOCKINGLY, this is what I surely did not expect to find:
Skulls of peoples with Australoid morphologies have been found in the Americas, leading to speculation that peoples with phenotypical similarities to modern Australoids may have been the earliest occupants of the continent.
http://www.reference.com/browse/wiki/Australoid

 SECTION THREE-THE FOUR HORSEMEN-THE BLACK HORSE

 “…and behold, a black horse, and he who sat on it had a pair of balances (scales) in his hand…”

I went over some of this material in my post regarding the Black Horse previously.  I stated as the artist, and as a human being that I felt no man in history had given so much toward equality in the world as Martin Luther King, even losing his life for it.  It was his actions which gave birth to all of the equal rights movements for so many things in current history.

For me, the balances (scales) are equality and therefore justice by weight of evidence measured.  I also noted that the rider of the Black Horse will be Martin Luther King.  The equality explosion occurred in effort to obtain equal rights for African Americans, and all people in general.  So it would center around the Negroid race.

 

SECTION FOUR-THE FOUR HORSEMEN-THE PALE HORSE

THE MONGOLOID PEOPLE-THE PALE HORSE

“…And behold, a pale horse, and he who sat on it, his name was Death. Hades followed with him. Authority over one fourth of the earth, to kill with the sword, with famine, with death, and by the wild animals of the earth was given to him…”

Mongoloid people are East and Southeast Asian, the Eastern portion of Southeast Asia, Polynesia, Far East Central Asia, Greenland, Far Eastern region of South Asia and surprisingly enough, the Americas!

Shocking to realize WE (Pale Americans) are the Pale Horse!

Is it coincidental that we are currently on the brink of World War III?  Is it too far fetched to think that America does not have a major role in the unsettled politics of our current times and the overall turmoil of the world?  Are we the rider named Death?