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These are the journals associated in part with The Revelation Painting.

The blogs are rough drafts of sections of the journals which will be published after the painting is released-projected 2012, (projected journal releases 2013-2015).  I have chosen to publish these blogs and not keep them private as it will give the audience an opportunity to learn and grow with The Revelation Painting in this last year which I term:  The Finale’.

The blogs are in no particular order visible to you but they are being separated into their respective journals behind the scenes.  These journals hold several mysteries unveiled in The Book of Revelation from the bible which have been missed throughout history and once revealed will change history as we know it.  So you are reading history in the making!

The Revelation Painting is created for the people of the globe and for the past eleven years, people have participated in its creation.  The overall endeavor is to create visual peace in these times of turmoil throughout the world.  It is an opportunity to focus on something beautiful and designed to place the viewer in awe.  Please see the blog about the painting at:  www.therevelationpainting.wordpress.com

The Journals included with this painting are as follows:

Journal I  The Journal of Dreams

This journal summarizes where and how the painting originated, the initial attempts at its creation, essentially the beginning of the work through its completion.  Background on the artist, past experiences, current experiences and thoughts, ideas and feelings while working on this masterpiece are captured within the pages of the journal.  It contains rare insight into an artist mind while working on a masterpiece!

Journal II  The Journal of Visions

Exploring imagination and visually preparing for this endeavor, the journal recalls where the vision arose and how it developed throughout the twelve total years required to complete The Revelation Painting.  It explores the artist views and personal battles with religion, God, the “calling” as a messenger to complete this massive religious painting.

Journal III  Journal of Measures

The Journal of Measures covers not only the grids and precise measurement required for a 12 foot by 40 foot creation, but the numbers and coincidences found throughout the twelve years required to complete the painting.  Small sketched works were required to become at times “larger than life”.  The journal is in graph form to help facilitate readability and understanding of the creative and sometimes scientific processes required to manually enlarge drawings without the aid of electronics or other artificial means.

Journal IV Journal of Sketches

Preliminary thoughts are sketched and worked through in order to create the perfect scene, exactly how the artist conceptualized the painting upon completion.  Starting often times as merely stick images, working through to the completed characters or scenes.  The journal also includes required experimentation to create a painting which would be durable enough to withstand the test of time, e.g., the effects of the raw mineral sulfur and its acidic effects on cloth canvas.

Journal V  The Stones

In depth coverage about the stones of the twelve foundations noted in The New City are covered in this journal.  Geological, metaphysical, spiritual and origins are also covered.  Stories about global participation in obtaining the stones are also covered.  Tools, lacquer, and very significant mystery of Revelation is disclosed in this journal.

Journal VI  Truth-The Hemorrhage of Pigs!

The artist reveals the profound change made in the painting in 2009 and how it occurred.  Where religion became political and how it forced the artist to find a way to make the painting stay in its original religious state, yet in moments change into a political piece revealing corruption and essentially crimes against humanity!  This is the climax behind the story of The Revelation Painting which will shock and astound followers of the series when it is realized that there has been a battle of good and evil within the painting the entire time!  The painting bleeds-a hemorrhage and returns to its normal state right in front of your eyes!

Journal VII  Journal of Acknowledgement

This is the journal where all participants globally are acknowledged for their participation in the attempt and completion of The Revelation Painting.  A one page advertising area is offered (text only, no photography), to advertise business, make a statement to the world, or anything the author wishes.  Contributions can range from a comment, marketing, to sponsorship or obtaining materials.  Everyone is acknowledged, some to the point of limited ownership of a random section of the painting! 

SO COMMENTS ARE VERY SIGNIFICANT IN THESE BLOGS-THE MAIN PAINTING BLOG OR THE JOURNALS.  PLEASE EXPLORE WAYS TO MAKE THE PAINTING BETTER, OFFER MARKETING, DONATIONS, IDEAS, GEMSTONES WHATEVER YOU CAN…IT WILL PAY OFF AND AT THE VERY LEAST, YOUR SELECTED (WHAT YOU CHOSE) INFORMATION WILL BE ASSOCIATED WITH A HISTORICAL PAINTING IN THE JOURNAL OF ACKNOWLEDGEMENT!

The journal titles are written in english and subtitles of the journals as well as subtitles of the scenes of the painting are written in random languages.  The journals will be designed appropriately and with the highest hand quality a painting such as The Revelation Painting deserves and designed to last more than a lifetime.

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©PLEASE NOTE THAT THIS IS INTELLECTUAL PROPERTY AND THIS IS COPYRIGHTED INFORMATION.  USE OF THIS INFORMATION IN REPRODUCTION or ANY OTHER MANNER CONSTITUTES COPYRIGHT INFRINGEMENT AND IS A CRIME PUNISHABLE BY LAW©

The FIRST MYSTERY OF REVELATION

THE FOUR HORSEMEN

 

A long time ago, when I was still considered a child I tried to sketch what I envisioned and dreamed regarding this painting and was unable to.  Believing it just wasn’t my time, that I hadn’t yet earned the right I continued on with my life.  Although I had made bets with myself to read the entire bible, I often became discouraged because I did not understand what I was reading and still do not…mostly.  I would put the bible up and forget about it.  I had read or heard that if you simply ask for understanding, you will receive it.  I also read not to test God, but the rebel I am an have always been went ahead and tested him.  I asked for understanding.  Sometime later, I read Revelation like I always did, as an artist and not a religious person.  I got to the Four Horsemen and found my heart pounding in realization…
I had earned the right, I finally understood!

Once widely used to classify races of humans and still used in Forensics and medical sciences, I find it interesting that the four primary races match the colors of the horses in overall color, (please see blog regarding the Pale Horse separate from this entry) as well as the roles the horses represent.  The terms are not used as much publicly due to the “offensive” projections people feel they create.  For this piece, I will use them for scientific and artistic purposes in order to express my theory as I see it.  All I can tell you is if you feel offended, close the blog.

Theoretically, the Caucasian-white, Australoid-red, Negroid-black, and the Mongoloid-pale (In art the lightest basic color in the color scale before white, classified as “pale”).  One could argue the “pale” theory but I am not here to argue that, I am here to express my theory as an artist, keep an open mind, continue researching the subject and make sure I have scientific evidence and proven information.

The terms are used in physical anthropology and intricate details of each skull type are used to classify the originations of various humans or the regions of the world from which they were first known to inhabit.  It is interesting information and you may not be who you think you are!  In science and through excessive research, it has been found that:
 
Caucasoid people were/are indigenous to Europe (see European countries:  http://en.wikipedia.org/wiki/Europe), Western and South Asia, as well as a Western section of Central Asia and North Africa.

Australoid-Australoid peoples ranged throughout Australia, New Guinea, and Melanesia, as well as different parts of Oceania , Philippines,Thailand, Malaysia, Indonesia, India, and the Southern Middle East.

Negroid are people from a Southern portion of North Africa and sub-Sahara Africa.

Mongoloid people are East and Southeast Asian, the Eastern portion of Southeast Asia, Polynesia, Far East Central Asia, Greenland, Far Eastern region of South Asia and the Americas!  (This is very significant in the story of The Four Horsemen.)

See link for geographical reference to race originations:

http://en.wikipedia.org/wiki/Craniofacial_anthropometry

Please note that ALL people classified in the origin may not have an active role in the events represented by their horses’ role.

So, what does all this mean?
These are the Four Horsemen of Revelation:
The White Horse-Caucasoid
The Red Horse-Australoid
The Black Horse-Negroid
The Pale Horse-Mongoloid

 

SECTION ONE-THE FOUR HORSEMEN-THE WHITE HORSE

According to Revelation the White Horse:

“…And I saw, and behold a white horse: and he that sat on him had a bow; and a crown was given unto him: and he went forth conquering, and to conquer…”

EUROPEAN MAJOR WARS/Events:
French Revolution 1789, Industrial Revolution-Second half of the 18th century, Russian Revolution 1917.  See:  World War II Timeline…Germany, Hitler, Soviets, etc… It is astounding information!  http://www.historyplace.com/worldwar2/timeline/ww2time.htm
And in current times the threat of The New World Order-The wealthiest most powerful bloodlines in the world.
The 13 bloodlines are:

The Astor Bloodline
The Bundy Bloodline
The Collins Bloodline
The DuPont Bloodline
The Freeman Bloodline
The Kennedy Bloodline
The Li Bloodline
The Onassis Bloodline
The Reynolds Bloodline
The Rockefeller Bloodline
The Rothschild Bloodline
The Russel Bloodline
The Van Duyn Bloodline

Also as a 14th bloodline theirs a Merovingian (Merovingian – a Frankish dynasty founded by Clovis I that reigned in Gaul and Germany from about 500 to 750 bloodline) which has something to do with the European Royal Families and also 3 interconnected bloodlines,

The Disney Bloodline
The Krupp Bloodline
The McDonald Bloodline.

It appears throughout time, the Caucasian race has utilized the bow and crown given to him.
Some text theorize the White Horse is the Antichrist but does not link the theory to research, although if I had to look at it in that manner, I would have to agree.
If a person looked at these horses as not only races of people but the timelines and peaks of their reigns, that person could calculate events before they happen.  The times overlap yet there are definite peaks, as you will see in The Black Horse theory.
Biblical years v.s current years:  http://www.direct.ca/trinity/360day.html

 

SECTION TWO-THE FOUR HORSEMEN-THE RED HORSE

The Red Horse-Australoid:

 ”…And there went out another horse that was red: and power was given to him that sat thereon to take peace from the earth, and that they should kill one another: and there was given unto him a great sword…”

The focus on The Red Horses Australoid origin would obviously focus on the Middle East in current times all the way back to biblical times.  Peace has definitely been taken from the earth for a long, long time due to the discord.  The Middle East fight among themselves and indeed kill each other.

My confusion came when I thought about the American Indians and their skin colors so similar to Middle Eastern.  I thought they did fight amongst themselves and kill each other too, along with others but if they were here before “white men”, they did not fit into the Australoid origin theory.  My entire theory was shot…But then I started thinking, well then, where did they originate from?

SHOCKINGLY, this is what I surely did not expect to find:
Skulls of peoples with Australoid morphologies have been found in the Americas, leading to speculation that peoples with phenotypical similarities to modern Australoids may have been the earliest occupants of the continent.
http://www.reference.com/browse/wiki/Australoid

 SECTION THREE-THE FOUR HORSEMEN-THE BLACK HORSE

 “…and behold, a black horse, and he who sat on it had a pair of balances (scales) in his hand…”

I went over some of this material in my post regarding the Black Horse previously.  I stated as the artist, and as a human being that I felt no man in history had given so much toward equality in the world as Martin Luther King, even losing his life for it.  It was his actions which gave birth to all of the equal rights movements for so many things in current history.

For me, the balances (scales) are equality and therefore justice by weight of evidence measured.  I also noted that the rider of the Black Horse will be Martin Luther King.  The equality explosion occurred in effort to obtain equal rights for African Americans, and all people in general.  So it would center around the Negroid race.

 

SECTION FOUR-THE FOUR HORSEMEN-THE PALE HORSE

THE MONGOLOID PEOPLE-THE PALE HORSE

“…And behold, a pale horse, and he who sat on it, his name was Death. Hades followed with him. Authority over one fourth of the earth, to kill with the sword, with famine, with death, and by the wild animals of the earth was given to him…”

Mongoloid people are East and Southeast Asian, the Eastern portion of Southeast Asia, Polynesia, Far East Central Asia, Greenland, Far Eastern region of South Asia and surprisingly enough, the Americas!

Shocking to realize WE (Pale Americans) are the Pale Horse!

Is it coincidental that we are currently on the brink of World War III?  Is it too far fetched to think that America does not have a major role in the unsettled politics of our current times and the overall turmoil of the world?  Are we the rider named Death?

 

RUBY-Red Sapphire (translucent) RUBY-Red Sapphire (translucent) 

  

SAPPHIRE

RED SAPPHIRE = RUBY!

The Second Foundation-Scene VII

 

 

As noted in the first blog of the stones, the meaning the stones used to create The New City holds within them a mystery of Revelation which was discovered while crushing the stones.  This mystery will change history and religion as we current understand them related to Revelation, it is history in the making!  Please note that in ancient times stones were classified differently than today and were not a separated family with different names as we see today.

 As noted in the first blog about the stones, research is ongoing regarding the stones, their dates of origin, name origins, when and/or if they became classified as separates from their original families due to color or other contributing factors.  Sapphire is a stone which has numerous separations as you will see in the Jacinth blog.  Once all blogs have been written it will become apparent that the current classifications are what ultimately changed the meaning.

 Sapphire is corundum and is currently (in modern times) the non-red variety of corundum, the second hardest natural mineral known to mankindI have not been able to distinguish when in time the color separation of corundum occurred other than the given name was used in the 19th century, and when the red sapphire became classified differently from the corundum family.  The red variety of corundum is Rubyall other colors became called sapphire, even pink.

RUBY-red sapphire (translucent) RUBY-red sapphire (translucent) 

 Corundum in all colors is known as sapphire except the medium to dark red tones which in modern times characterize ruby.  Sapphire is commonly known as blue yet colors which make up this family of mineral, when applied correctly include yellow, brown, green, black, purple, orange, pink, colorless, and ranges within those colors.  Although this blog is about Sapphire or Ruby, it is worth mentioning the stone Jacinth was Hycinth in ancient times, which is Sapphire.

 A one carat ruby can range in price, according to color, size, clarity and cut to over $10,000.00.  The quality makes the difference and the bigger the stone, the more it is worth.  For example, in 2008 in Geneva through Christie’s (auction sale) a ring “The Graff Ruby sold for $3,647,480.00 which per carat was $425,000.000.  Rubies are often times worth per carat, more than diamonds…Amazing!  

 The Revelation Painting requires  gemstones crushed into shards including rough and faceted where appraisals were not obtained beforehand.  I do not know if the rough gems I crushed wher in fact worth $425,000.00 per carat or not.  It sounds ludicrous but the message of the painting in my eyes is worth far more than a monetary value.  A simple personal philosophy is that I cannot take this painting when I leave the earth, but I can take the impact it made upon the world!

Rough Ruby Rough Ruby

 

 Also, some faceted stones from Thailand and other Asian countries were lead glass filled which is considered “enhanced or treated”.  Although still ruby, flawed, it is a process where the natural feathering or flaws within the stone is lead glass filled which eliminates the flaw and adds weight to the stone.  Sellers are supposed to disclose this process but do not readily do so.  The stone after time returns to its flawed state.  In the painting, although thousands of dollars worth of rubies were used, some were “enhanced”.

 The spiritual meaning of ruby includes wisdom related to spiritual matters, confidence, helps to focus concentration, offer contentment and peace, and is commonly known as the stone of life and energy.  (As in the Jasper blog, please remember-LIFE and ENERGY as it relates to the uncovered mystery of the stones in the foundation of The New City).  The ruby is considered the most powerful gem in the universe!  The gift of ruby symbolizes friendship and love.

 Rubies are found in many parts of the world and have been mined for centuries.  Burma is the main source for the finest rubies but in recent years very few quality rubies have been found.  The finest ruby color is known or described as “pigeon’s blood”.  Other areas where rubies are mined include:  Kenya, Greenland, Tanzania, Vietnam, Nepal, Thailand, Cambodia, United States, Tajikistan, Afghanistan, and Pakistan as well as other locations.

 The name ruby was derived from the Latin word ruber which means simply “red”.

EMERALD-The Fourth Stone

October 22, 2009

EMERALD-The Fourth Stone

Red Emerald-Bixbite

Beryl has been considered a valuable gemstone since prehistoric times. There are many colors of beryl known under many names. Green beryl is called emerald. In the 1800s green beryl was removed from the beryl family and called emerald. Blue beryl is aquamarine, colorless is goshenite, pink is morganite and yellow is heliodor ranging from a bright yellow to a honey-golden yellow.

Red beryl is extremely rare and mimics shades of red from bubble gum to to scarlet, or the color of blood. Mainly found within the Wah Wah Mountains of Utah, only an estimated 60 pounds were ever mined in the history of the world! Some smaller amounts have been found in other countries recently. Oddly enough it seems people are drawn to this stone yet do not understand why. The reason will be revealed later via an exerpt from The Stones Journal.

Blood?

The most common thread between this stone, its rarity, and the similar color of blood is in fact that the bible pounds a message to its readers that we should never forget that Jesus shed his blood for our sins. What better way to elevate the significance of that sacrifice than to mark it with the rarest gemstone in the world? These facts seem confusing but within The Revelation Painting there is a mystery of Revelation which has been overlooked since the bible was written and it will be revealed in The Stones Journal. Once revealed, the mystery is easily seen in the painting. The price for red beryl or Bixbite is astronomical! For one faceted carat, you can expect to pay $20,000.00 or more. Although I have obtained 6 carats of rough stone and the collection required for this section of the painting (an estimated 272 carats) will obviously have to be forfieted in lieu of a replacement stone of similar color or some other meaningful way to express the significance of this most important section.

I once spoke to a man who had worked in the mines in Utah and asked for the owner’s contact information. He was very put off when he found that I needed to crush it for the painting. He went on to say that the stone was highly coveted and that the owner would never sacrifice it for the painting. I will never know if I do not ask, so time will tell if the mine owner will sacrifice a handful of the stone.

(THIS SECTION WILL BE UPDATED as developments occur)

GOD Scene II (Part I)

September 30, 2009

Scene II GOD
(PART I)

According to the “dream” my mother had where she saw God, she stated that he was so bright that she knew if she had not been meant to be there that she knew she would have went blind.  She was unable to see the detail of his face because of the light but she knew he was a man.  This is where the brilliant, white light originated for Scene II of the painting.  Initially I contacted NASA for a light so bright that it would insult the eyes but not cause permanent damage.  I wanted the pupils to jerk in constriction.  NASA never responded.

Knowing early on that another form of brilliant, white light would have to be substituted, I was stumped.  Considering everything from flat panels to full spectrum lighting, I became frustrated and put that part of the painting on hold for quite a long time.  I thought that maybe I would have a chance with NASA engineers if there was more to show them.  I considered all the money America has contributed to NASA’s dreams and I believed (still naive) that they would make a light for The Revelation Painting.

Time passed, days were like months and months like years before I thought of it again until one morning I had awakened from a dream.  The dream was to run the bright, white light cables of fiber optics through the canvases.  That idea was also no easy task!  I began to research fiber optics and light sources.  There were no flat light sources but the cables were flexible enough to use in each canvas, bundled together and coiled into the back of the canvas.  The total length of various size cables would reach around 20-30 feet, maybe more.

Since I had read in Revelation what is described as God’s image, I was thrown back in believing the “white light” theory as Revelation did not focus on the brilliance of the white light, in fact it really did not talk about it at all:

REV 4:2 At once I was in the Spirit, and there before me was a throne in heaven with someone sitting on it. 3 And the one who sat there had the appearance of jasper and carnelian. A rainbow, resembling an emerald, encircled the throne…

 In my dream, God was white light and a lot of it.  I had not seen God in the dream, only the answer to my lighting problem.  My mother had told me he was bright, white light and after all Scene II of the painting was entangled within this white light of God.  I began to research more.  (The blog regarding The Stones of the New City foundations shed immense light on the “appearance of jasper and carnelian and the Emerald.  This information was not discovered until 2009.)  Diligent searching for what God looked like brought me to:

Ezekiel 1:1-14 (New International Version)

Ezekiel 1

The Living Creatures and the Glory of the Lord

 1 In the [a] thirtieth year, in the fourth month on the fifth day, while I was among the exiles by the Kebar River, the heavens were opened and I saw visions of God.

 4 I looked, and I saw a windstorm coming out of the north—an immense cloud with flashing lightning and surrounded by brilliant light. The center of the fire looked like glowing metal, 5 and in the fire was what looked like four living creatures. In appearance their form was that of a man, 6 but each of them had four faces and four wings. 7 Their legs were straight; their feet were like those of a calf and gleamed like burnished bronze. 8 Under their wings on their four sides they had the hands of a man. All four of them had faces and wings, 9 and their wings touched one another. Each one went straight ahead; they did not turn as they moved.

 10 Their faces looked like this: Each of the four had the face of a man, and on the right side each had the face of a lion, and on the left the face of an ox; each also had the face of an eagle. 11 Such were their faces. Their wings were spread out upward; each had two wings, one touching the wing of another creature on either side, and two wings covering its body. 12 Each one went straight ahead. Wherever the spirit would go, they would go, without turning as they went. 13 The appearance of the living creatures was like burning coals of fire or like torches. Fire moved back and forth among the creatures; it was bright, and lightning flashed out of it. 14 The creatures sped back and forth like flashes of lightning…

I began to measure and sketch exactly what it would take and the size of it to magnify the importance of this scene.

 
Transitional scene from scene I to II


Measure of Jesus, therefore God (in a sense)

 
Working it all out


The fiber optics and their distances

Please note this is a continuing work in progress and subsequent blogs will be posted in the titles of GOD-Scene II (part II), (part III), etc…