Acrylics are my paint of choice.  I paint fast and the number one reason is drying time.  Often times I blow dry my work as I paint.  Oils are magnificent but offer a burden for me in control.  The oil is slick and difficult to control especially for detailed work.  I painted one oil painting in my life and what should have taken a couple of hours, took over 3 weeks to dry!  The modern acrylics of today in my opinion, offer the richness and brilliance in color like oils.

Pigments are mixed with various clear lacquer and other mediums.  For The Revelation Painting some pigments include minerals, tree barks, fruits, flowers, or plant parts.  Minerals are also used to create vibrant, color fast scenes.  All paint applied is UV protected and the painting upon completion will be sealed with a UV protecting clear coat which is the substance used to seal cars!  This will create gloss and durability in effort to create a magnificent work of fine art which will withstand the test of time. 

All of these are important aspects of creating art.  UV protecting prevents yellowing over time.  Archival canvas with limited acids were specifically chosen for this work.  I do not use gesso as a primer and have been known as a paint waster.  I prefer to build the color through layering for a solid pigment, and a rich finish.  Some of the painting will have an instant coffee “wash” applied for antiquing techniques. 
As stated in previous blogs and information about this painting, there are never seen techniques used in the creation of the work.

Golden Heavy Body Artist Acrylics 4 oz

My favorite all time paint is Golden Fluid Acrylics.  They are the thinner version of Golden Heavy Body paints, which are my second favorite paint.  I paint with much control and attention to detail.   Abstract work is difficult for me as I have not learned how to “let go” of tight lines.  Although I may think outside of the box, I have not yet learned how to paint outside of the box.  Much effort and consciousness is utilized to bring fluidity and flowing lines to my work.  Although it is a difficult task, I strive to “open” my paintings which finding the balance between detailed control and the freedom of expression. 
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The total estimated cost of the paints used in this painting is well over $35,000.00.  Please note that the paint comes in 1 ounce, 2 ounce, and 1/2 ounce vials.  Imagine 12X40 feet and an ounce of paint!  The average price of any one of these paints run from $4.50-$15.00 or more depending on the series and/or color.  Actual 24K gold flakes are used in some scenes which also adds a hefty price tag to the piece.  Texturizing is very important and where layers and layers of real paint are used in lieu of texturizers and molding, the actual cost of paint becomes astounding!

For example, the highly textured Devil in this painting was created by large “dabs” of paint, left to almost dry, then gently and specifically pressed causing a realistic reptilian skin.  Wax paper is used to prevent pulling of the nearly dry paint leaving holes.  The Devil required nearly $2500.00 worth of the most expensive red and orange hues. (Reds are usually higher priced).  The “dabs” pressed measure vertically 2-4.0 mm which is thick for paint on canvas.  Underlying browns were used for contrast and depth perspective, as well as swirled into the reds and oranges in effort to created texture within texture. 

Scene 2-God required various layers of the most luminescent white paint and mica to provide a glow unseen anywhere else in the painting.  Great care was taken and careful consideration regarding the second scene within the scene of God;  Truth-The Hemorrhage of Pigs!, where the bright white was repainted with thermochromic paint to create the red hemorrhage.  The high risk of yellowing overtime and temperature change will require specific retouching over time and the directions specific to the retouching techniques will be written on the back of those canvases. 

In addition to the mentioned acrylic paints and custom pigments, I will also be using Liquitex products which are also higher quality acrylic paints.  Those of you who know paints, know the quality of these paints and for those of you who do not know paints, here is some information borrowed from the Golden website:

http://www.goldenpaints.com/products/color/fluid/index.php

GOLDEN Fluid Acrylic Color Lines Fluid Colors
Fluid paints contain near the same pigment strength as Golden Heavy Body colors in a pourable, low viscosity formula.
Fluid Iridescent / Fluid Interference
Familiar for their radiance, GOLDEN Iridescent Colors produce a luster by themselves, with other colors, or mixed with mediums.
GOLDEN Interference Colors offer a unique “flip” when viewed from different perspectives.
Historical Fluid Acrylic Hues
GOLDEN technology uses contemporary pigments to create hue combinations of these traditional colors; combining the integrity of the past with today’s requirements for quality, lightfastness and safety.
Matte Fluids
Provides a uniform flat finish in a wide variety of concentrated colors.Fluid Acrylic Colors

Fluid Acrylics are highly intense, permanent acrylic colors with a consistency similar to heavy cream. Produced from lightfast pigments, not dyes, they offer very strong colors with very thin consistencies. No fillers or extenders are added and the pigment load is comparable to GOLDEN Heavy Body Acrylics.

Unlike mixtures of heavy-bodied paints and water which produce weak color and films by dilution, Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility and good adhesion. Fluid Acrylics are ideal for spraying, brushing, staining, and can be mixed with other GOLDEN Products. Blend with Airbrush Medium for spray application. Excellent for fabric application.

Please see the colors on the website.

CUSTOM MADE WOODEN CANVASES

In creating The Revelation Painting, it was apparent that the weight of the stones and the need for sturdy canvases to hold the fiber optics were going to require wooden canvases.  In the case of the fiber optics requiring small holes drilled from 1-6MM, a cloth canvas would not suffice.  It was estimated that six canvases would be needed to house the fiber optic cables and four to hold the weight of the stones.

Fiber optic cables are delicate and will not tolerate numerous placement and removal as the painting moves from location to location.  The idea to drill holes and securely fasten the delicate cables is what brought me to the design of custom-made wooden canvases with drilled holes to accommodate various sizes of cables fixed securely into place with clear adhesive.

   

 Various sizes and adapters are available to create the light effects from a light source.  Obvious decreased movements and coiling of the frail cables would increase the life of them before replacement was required.  Designing custom canvases 48” x 48” from wood that fit flush with the cloth canvases was no easy task.  Measurements from the side were calculated at 1 ½” combined.

I consider myself an artist and not a carpenter.  It was very difficult for me to try to measure and calculate the needed design as doors were going to have to be on the backs of six canvases to carry the cables securely during transport.  I sketched a rough design and ran an ad for a carpenter, aka woodworker with tools to build the canvases.

 

I need someone to build 10 canvases, high quality 48″x48″x 1 1/2″, some with doors on the back. These canvases will be painted on; fine art and have to be sanded and smooth. Some will have small holes drilled in them. I do not have tools, so you need your own tools. I will buy the supplies at your direction regarding the type of quality, lightweight, non-warping wood required. I have a cloth example (without doors on the back) to go by for design purposes. I will need a quote from you regarding what you will charge for all 10 canvases. I hope that you can deliver them when done or I will rent a truck to pick them up. You will be required to sign a waiver if injury occurs in the creation or delivery of these canvases that I will not be held responsible.

I was amazed at the response!  After a week or so of careful consideration, I chose a man who may or may not be listed in The Journal of Acknowledgement for his significant contribution toward the creation of the painting based on his decision.  (Please see:  www.therevelationpaintingjournals.wordpress.com regarding this powerful journal.)

The most difficult part of designing the canvases are the side frames which can only be 1 ½ inch combined; the ¼” Birch plywood, the frame, and the width of the latch.  The main problem is finding the correct cut with the application of the latches where the canvas is not forced to sit out from the wall at a wider distance than the cloth canvases.  Solid construction is important here due to weigh.

The remaining four canvases are located at the end of the painting where the twelve foundations of crushed gemstones are found.  It will be interesting to calculate the exact weight of the stones.  (I will deduct the weight of the finished wood canvas, the adhesives and lacquers from the total weight after the stones are applied.)  Just carrying the crushed stones reveals pounds of weight!

 

I considered and am still considering tracks of LED lights to illuminate the crushed stones through small holes.  The stones, their magnificence of sparkle and light-play is best observed through illumination.  Time will tell regarding this decision.  Many other components were required as well for the completion of fully functional canvases to withstand the test of time.

The main component of the canvases is of course the wood it is made from.  Several carpenters recommended Birch.  I did not know much about Birch, only that I needed a wood that would not warp, could handle the weight and liquid applied to its surface.  I researched Birch and found interesting facts.  I felt this would be a good choice of wood from which to build the canvases.

  

Birch is a tight and solid wood species that grows in North America and is from the Betula Family, closely related to Beech and Oak. The two most common types of Birch are Paper and Yellow in North America but there are over 50 species found throughout the world.  Birch trees grow an average height of 70 feet with a diameter of 2”.  The bark rolls and peels spontaneously but gets thicker with age.

Birch lumber is used for many, many products from skateboards, to canoes, artist easels, paper and cabinets.  It is chosen for its fine and uniform texture.  It is nearly odorless and is also chosen for long burning fireplace wood.  Once it is dried it resist decay and fungus.  It is fairly priced and the type of Birch chosen for The Revelation Painting was Birch plywood, quarter inch.  Birch plywood is created from lamination of Birch veneer and is light but strong.  It is fine grained and pale.

 

Other parts associated with the custom wood canvases:

CONTINUOUS HINGE POLISHED BRASS FINISH

 HIGH QUALITY .04  GAUGE STEEL, 36″  BY  1.5”

SLOTTED ADJUSTMENT HOLES EVERY 9TH HOLE

1-1/2″ Metal Re-enforcing Corner Angle Plate
1-1/2 x 3/8 inch 4 hole zinc plated plates.
 

 

Brass Plate Flat Strap Hanger
Total length 1-7/8 inch Width by 1/2 inch
 
Nickel Flush Drawbolts  –   Approx. 1-1/2″ x 3″

Oddly enough, I consider this painting bringing Revelation to life and I found this interesting fact regarding Birch (from Wikipedia):

Birch trees are associated with the Tír na nÓg, the land of the dead and the Sidhe, in Gaelic folklore, and as such frequently appear in Scottish, Irish, and English folksongs and ballads in association with death, or fairies, or returning from the grave.

 

Learning religion through repeated Revelations…

The definition of religion:

1. a set of beliefs concerning the cause, nature, and purpose of the universe, esp. when considered as the creation of a superhuman agency or agencies, usually involving devotional and ritual observances, and often containing a moral code governing the conduct of human affairs.

THINK ABOUT THIS:  A MORAL CODE GOVERNING THE CONDUCT OF HUMAN AFFAIRS…

 

THE REVELATION PAINTING truly started out as a painting of Revelation-seven scenes but now it has become a crusade of truth.  I have been working on this painting for 11 years and always knew I had a fail-safe in the churches and others with income that has been generated and continues to be generated by you and me and our families and friends.  After all, we supported their “glory” in their “crusade of Christ” for centuries and continue to do so, surely, they would reciprocate and support our dreams, and aspirations…right?  Wrong!  My emails must be considered spam…spam is essentially considered garbage, therefore my dreams are garbage and I am worthless yet my money buys their mansions and Ferraris, Rolls, fancy $40,000.00 gowns, their yachts, their summer house, their winter house, their fall and summer houses and the houses in between, their trips all over the world, their jets, their drugs, their private parties, excessive weddings, and divorces, essentially their very excessive lives!  If it all sounds ludicrous, that is because it is!  I am not saying all churches take advantage of faithful souls but some do!

I waited until the last year before the completion of the painting to request sponsorship from one or some of the 50 MEGACHURCHES in America.  Naïve, I believed the churches I saw on TV, the ones with the biggest flat screens they make all over their “arenas” of a church, the ones which sit bright white on hills in every city packed full of believing, generous souls.  These are the churches on TV with over 10,000 members in a church so horribly big that it is an arena!  I wrote them less than 2 months ago and they deleted my email without even reading it and it said:  “God’s Work” in the subject line!  It’s not that I wrote one church or ten churches, I wrote fifty churches! 

So from there, I went to “charitable organizations” like Habitat for Humanity where I offered 10% of my Ebay sales toward their charity.  I figured an eye for an eye.  They could advertise me and I would give them 10% of the proceeds.  They deleted my email without reading it and the subject line said:  “Big Donations”.  I went to the fortune 100 companies in the U.S., the richest people in America-Trump, Oprah, actors, musicians, and I am not finished.  The only company who wrote back was Exxon!  They have a sponsorship I can apply for.  However, I had told them about my plan (see below-the Hemorrhage) beforehand…I was mad as hell and very impulsive that day.

Then in my search I found information about the New World Order, and that we as Americans have been absolutely fooled and shafted!  I got mad as hell again.  It almost closed me down-emotionally, mentally; artistically….I learned about the World Trade Center and the 911 workers who are dying and our government is not helping them at all!  I saw the stuff about J. F. Kennedy, the conspiracies and how he had signed Executive Order 11110 right before he was assassinated which put the money back in our hands instead of the U.S Treasury…after he died it went right back to the U.S Treasury (which by the way is private bankers…did you know that?)  I knew it was all-real.  How in the hell had I walked around blind with 20/20 vision my entire life?

The painting changed from “just” a painting of Revelation to now using thermochromic paints, which change with temperature to reveal the white and pristine fiber optic God to bleeding on the canvas right before your eyes revealing TRUTH-The Hemorrhage of Pigs!  I wonder what those 10,000 plus followers will think about their “con-man” preachers, priest and rabbi’s after this painting is released?  When the names of their church and how much it’s worth because of the little plate that’s been passed around for hundreds and hundreds of years.   What they did and continue to do is now splattered in blood across the image of God!  It is quite a visual effect SHOCKING to say the least.  How many records will be sold and TV shows watched without the person thinking about it now?  These people got where they are from us, our parents, our friends, our families, our friends families…

~Changes to the painting~

The rider of the black horse is now Martin Luther King as he was the true martyr for equality and the King of Kings, Lord of Lords horse rider is J. F. Kennedy (he is the one who chains the devil for 1000 years-the beast.  If you read about the New World Order, you will know exactly whom the beast is).  There are so many other changes within this painting; it is rich with politics, dishonesty and corruption.  I can write backwards and upside down, so there will be messages hidden within the painting and now there is an unseen battle within the painting of good vs. evil, which is also new.  Once you see it within the painting, you can follow it.  This painting is going to make history, it is going to make many people very angry, and it is going to change many of the things we believed or at least make some people think.

During the 10 years of buying and crushing pounds and pounds-not just carats, of precious and semi precious gemstones (rubies, sapphires, amethyst, etc…),  I have found the answer to 3 of the mysteries of Revelation so far (it is all about 7’s and mysteries).  I was shocked when I found them.  One of them I may not show-it will cause a worldwide uproar.  It is regarding the pale horse who’s rider’s name is Death.  My anger is peaked and I know I am not the only one with dreams waiting for support from the people I have supported my entire life and this painting will be completed by my determination and financial backing if I continue to be ignored or not.  In the end, will it matter?  For me yes, without a doubt.  I am not religious, but I am learning about the moral code, which governs the conduct of human affairs in America.  Are we the harlot of the world?